“Junichi Wakimaru” released the new music Album “Day After Day -Music For 88keys-”

“Junichi Wakimaru” just dropped the new and hot Album “Day After Day -Music For 88keys-”. It will contain the songs 'The Melody of Metamorfosi', 'Wanderer', 'Far Away Drums', 'Stars', 'Lights', 'Day after day', 'Etude I (For Keyboard Instruments)', 'Intermezzo II', 'Still Walking' and 'Eternal Time (For Keyboard Instruments)' total of 14songs. Enjoy the Instrumental sound from the far east Asia.

The fourth album by Junichi Wakimaru, a composer and keyboard player. This album contains 14 songs of various styles made for keyboard instruments.

You can find and check the “Day After Day -Music For 88keys-” at 'Apple Music', 'Spotify', 'iTunes Store', 'LINE MUSIC', 'Amazon Music Unlimited' etc. Click here to see. Day After Day -Music For 88keys-

• 1： The Melody of Metamorfosi

  Junichi Wakimaru

• 2： Wanderer

  Junichi Wakimaru

• 3： Far Away Drums

  Junichi Wakimaru

• 4： Stars

  Junichi Wakimaru

• 5： Lights

  Junichi Wakimaru

• 6： Day after day

  Junichi Wakimaru

• 7： Etude I (For Keyboard Instruments)

  Junichi Wakimaru

• 8： Intermezzo II

  Junichi Wakimaru

• 9： Still Walking

  Junichi Wakimaru

• 10： Eternal Time (For Keyboard Instruments)

  Junichi Wakimaru

• 11： Moon Prelude I

  Junichi Wakimaru

• 12： The wind will carry us

  Junichi Wakimaru

• 13： Exophony

  Junichi Wakimaru

• 14： The Melody of PRAY

  Junichi Wakimaru

Relase date：2021-11-12

ostinato

Genre： Instrumental / Alternative / Jazz

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Junichi Wakimaru

Junichi Wakimaru (Composer, Pianist)
In 2011, Junichi Wakimaru launched his first collection on CD recording "Piano Music & Chamber Music" - with the album he started his professional career as composer of chamber music, also playing the piano on stage, mainly with other instrumentalists of Japanese traditional music. His compositions are characteristic in the modal writing: through the modes, des themes appear repeatedly, or generate its variations which start their own developments freely, resulting in his characteristic palette of tone colours, as well as in particular timbres like pre-baroque early music or in Oriental atmosphere, with all of these he developed his own style, well rooted in post-minimalistic and ambient movements.

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