“SYLIANRUE” released the new music song “Inward Revolution”

“SYLIANRUE” just dropped the new and hot song “Inward Revolution”. It will contain the song 'Inward Revolution' . Enjoy the Instrumental sound from the far east Asia.

This music was written for German playwright and poet Friedrich von Schiller's first novel, "Die Räuber" (Theatre /2018, 2022). [Point] The majesty of the timpani rhythm and ambient transitions to a synth bass sequence midway through, and the galloping strings that punctuate the ending give the piece a narrative feel. The ambience of the outro is beautiful from the scene that gains further momentum with the bugle cue.

You can find and check the “Inward Revolution” at 'Apple Music', 'Spotify', 'LINE MUSIC', 'iTunes Store', 'Amazon Music Unlimited' etc. Click here to see. Inward Revolution

• 1： Inward Revolution

  SYLIANRUE

Relase date：2023-06-18

Genre： Instrumental / Electronic / Alternative

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SYLIANRUE

SYLIANRUE is a project by Fuyuh Nishikawa. His music is a blend of ambient with the lyricism and sophistication of his rock roots, and the experimentation of contemporary electronica, interwoven with familiar minimalist classics. Roots are in Radiohead, Nine Inch Nails, Trent Reznor, Nirvana, Ryuichi Sakamoto, Max Richter, Jóhann Jóhannsson, Hans Zimmer, Christian Fennesz, and Arvo Pärt. His music is not ambient music in the strict sense of "unconscious airy presence", as he has contributed many works to theater, contemporary dance, and film, often musicalizing stories, visual images, and idea, but "accompanies a particular place, space, or person". He composed for all the theatrical productions of "Fukasaku-gumi", which was handed down from Japanese film director Kinji Fukasaku to his son, film director/stage director Kenta Fukasaku, and also performed and acted in the plays. His delicate sound space design based on ambient music, and the way he performs all the sound effects and music on stage in a session with the actors has been described as "a play made by two people, the actors and the sound". By continually observing the essence of his own birth and upbringing in Japan, his music reveals a Japanese spirituality and wabi-sabi aesthetic. The music expresses the fragility of human beings in a way that is broad-minded enough to associate with all sorts of men - good, bad, or indifferent. The sound is characterized by a [fragile] and [mental landscape-like] sound.

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