“Toshihiro Fujita” released the new music Album “Reality that inconspicuously phenomenal”

“Toshihiro Fujita” just dropped the new and hot Album “Reality that inconspicuously phenomenal”. It will contain the songs 'Beloved Million', 'Bash washing machine for welcome back', 'If only I could tell your tongue', 'October playback', 'Why oh why', 'Same old silver-blue half moon on now' and 'Reality that inconspicuously phenomenal' total of 7songs. Enjoy the Jazz sound from the far east Asia.

By using 5 strings Viper electric violin for original solo numbers with inspiring from Japanese sense of which appreciates curious expression of ghost notes and noises ( Sawari ) as a fine tune. Recorded under live performance atmosphere so that all noise happened there was essential on purpose that later effectively sorted at track down. The motif comes from my recent experience through missing my pet cat when I have got corvid, which have felt like hideous reality emerged from turbulent mind as if the moon appearing in between dark clouds.

You can find and check the “Reality that inconspicuously phenomenal” at 'Apple Music', 'Spotify', 'iTunes Store', 'LINE MUSIC', 'Amazon Music Unlimited' etc. Click here to see. Reality that inconspicuously phenomenal

• 1： Beloved Million

  Toshihiro Fujita

• 2： Bash washing machine for welcome back

  Toshihiro Fujita

• 3： If only I could tell your tongue

  Toshihiro Fujita

• 4： October playback

  Toshihiro Fujita

• 5： Why oh why

  Toshihiro Fujita

• 6： Same old silver-blue half moon on now

  Toshihiro Fujita

• 7： Reality that inconspicuously phenomenal

  Toshihiro Fujita

Relase date：2024-03-05

Genre： Jazz / New Age

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Toshihiro Fujita

Mark Wood's Viper, Electric Violinist / KORG WaveDrummer / Composer / Narrator

Born in 1962, Japan.

Desire to express with the western music instrument and electrified gear, the feeling for the great nature talk and exquisite noises like common human behavior and habit as meaningful whispering from all phenomena. It's my nationality toward the open minded actual world.

My recording style is simple. The sound I would love to have is that from the monitor at the live audience, so that one track, one take, play at once, recording through pick-up microphone.
I do not mix other takes at track down.

Musically, I pay deep respect to Toru Takemitsu and Isao Tomita for truly incredible creativity and method breaking experiments. And to my mentor Jazz drummer Motohiko Hino for drumming configuration as well as musical attitude.

All the photos on my pages are shot by myself, including jackets.

“Toshihiro Fujita” Click here to see other releases 藤田敏弘