“Takuto” “ONE SOUL” just dropped.
“Takuto” released the new music Album “ONE SOUL”
“Takuto” just dropped the new and hot Album “ONE SOUL”. It will contain the songs 'One Soul Ever', '160 Years', 'Money Time Bomb', 'Iroha', 'Suyari Haze', 'Cut Eh Fuckery', 'Flow Flow (feat. RUDEBWOY FACE) [Junglist Youths Remix]', 'Eh Weekend (2025 Remaster)' and 'My Team Genuine (2025 Remaster)' total of 9songs. Enjoy the Hip Hop/Rap sound from the far east Asia.
The fourth album by TAKUTO, known for his hybrid style blending dancehall, hip-hop, jungle, grime, trap, and drill, is complete. Featuring producers are StarBwoyWorks, Junglist Youths, and INGP. Whole songs're mastered in UK. Lyrics in Patois, English, and carefully selected Japanese resonate with floor-ready sounds. A charismatic figure invites listeners on a journey through time and space, from Edo to Tokyo, Kingston, and London.
You can find and check the “ONE SOUL” at 'Apple Music', 'Spotify', 'iTunes Store', 'LINE MUSIC', 'Amazon Music Unlimited' etc. Click here to see. ONE SOUL
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1: One Soul Ever
Takuto
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2: 160 Years
Takuto
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3: Money Time Bomb
Takuto
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4: Iroha
Takuto
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5: Suyari Haze
Takuto
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6: Cut Eh Fuckery
Takuto
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7: Flow Flow (feat. RUDEBWOY FACE) [Junglist Youths Remix]
Takuto
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8: Eh Weekend (2025 Remaster)
Takuto
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9: My Team Genuine (2025 Remaster)
Takuto
Relase date:2025-08-22
Tokyo Nuedo
Genre: Hip Hop/Rap / Reggae
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Takuto
Dancehall & Reggae Artist "TAKUTO" Started his activities based in his hometown Tokyo in the later half of the 90's. The founding important member of "Kaze no Hito" (belonging to JPC band, smorgas, WISE, SONPUB, etc.), a legendary group of more than 30 creators based in Ebisu Milk, which is now is currently absent. He became a solo artist in the latter half of the 2000s, and while taking root in the dancehall reggae scene in Tokyo, he also focused on activities in London and Kingston. He continues to send a original style from Tokyo Japan and Kingston Jamaica in a dancehall reggae style that makes full use of English, Patois and of course in Japanese.
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