“Iwamura Ryuta” “METROPOLIS” just dropped.
“Iwamura Ryuta” released the new music Album “METROPOLIS”
“Iwamura Ryuta” just dropped the new and hot Album “METROPOLIS”. It will contain the songs 'Station', 'Museum', 'Park', 'Airport', 'Landfill', 'Temple', 'Intersection', 'Port', 'Hotel' and 'Highway' total of 12songs. Enjoy the Instrumental sound from the far east Asia.
METROPOLIS Iwamura Ryuta This work can be considered a sequel to "CITY" (2019), a collage of urban noise from cities around the world and serene piano performances. While inheriting the intent and technique of the previous work the fusion of ambient sound and music this album narrows the focus of its stage from the world to Tokyo. Sounds that echoed one day in the metropolis, Tokyo. The beat of train joints at Tokyo Station, marking the departure of one train after another. The roar of jet engines shattering fleeting silence at Haneda Airport. The thunderous crushing of waste at Tokyo Bay's final disposal site. The quiet footsteps of visitors resonating within the National Museum of Modern Art. The pounding sound of heavy rain on the 8th Circular Road... On a summer morning, the voices of children playing in Setagaya melt into the chorus of cicadas. The foghorn of the Hikawamaru at Yamashita Park signals noon, while in Marunouchi in the afternoon, the guiding sounds of traffic lights overlap, playing a strange music. Then at dusk, the sound of the bell at Zojoji Temple drifts through the air of Shiba Park, and in the suburbs welcoming night, insects begin to vibrate their wings. These Tokyo noises recorded by Iwamura become not only essential musical elements within this album, equivalent to musical tones, but are also freely arranged like collage materials at times, and treated like a quietly resonating drone in the background of the music at others. The track titles "Station", "Museum", "Park", "Airport", "Landfill", "Temple", "Intersection", "Port", "Hotel" are inorganic, abstract, their connection to the land of Tokyo deliberately stripped away. The question seems posed poetically: Are these sounds truly emanating from "Tokyo", or from the non-place city "METROPOLIS" within us? Our consciousness approaches and retreats from the music, wandering the border between ambient sound and musical tone, embarking on a journey through the ultimate abstraction of the megacity "METROPOLIS".
You can find and check the “METROPOLIS” at 'Apple Music', 'Spotify', 'LINE MUSIC', 'iTunes Store', 'Amazon Music Unlimited' etc. Click here to see. METROPOLIS
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1: Station
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2: Museum
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3: Park
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4: Airport
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5: Landfill
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6: Temple
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7: Intersection
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8: Port
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9: Hotel
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10: Highway
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11: Suburb
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12: Anywhere
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Relase date:2025-10-21
fete musique
Genre: Instrumental / Electronic / New Age
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Iwamura Ryuta
Born in Niigata City, currently resides in Tokyo. Composer and pianist. A collection of 24 dimensional piano pieces consisting of musical fragments, "Sunday Impression" and "Monday Impression" "Reading to Hear" a solo piano album paradoxically titled from "reading" to "listening". "Tokyo Reminder" takes a film music approach. "City" is a collage of urban noise & music. Raining to Hear" explores the boundaries between rain sounds and music. "Symphony" incorporates the actions of everyday life into music, with toy instruments at its core. These works constantly question the nature of music and the way we listen to music.
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